In diesem Beitrag werden die Anfänge der GTA und der Gestalt Theory ab Ende der 1970er Jahre nachgezeichnet. Diese Anfänge waren angesichts der Zerschlagung der Gestaltpsychologie und der Vertreibung eines großen Teils ihrer akademischen Vertreter durch das Nazi Regime überaus schwierig: War mit dem Ende des sog. „Dritten Reiches“ die Nazi-Ideologie in Deutschland noch keineswegs überwunden, was sich u.a. auch darin zeigte, dass man sich nicht erinnern mochte, welche bedeutende international geachteter Richtung mit der Berliner Schule der Gestaltpsychologie vor dem (...) Nazi-Regime die Psychologie in Deutschland prägte, geschweige denn, dass man sich bemüht hätte, führende Vertreter zurück zu gewinnen. Der Fokus der Darstellung ist aber auch auf die beiden Persönlichkeiten Hans-Jürgen Walter und Hilarion Petzold gerichtet, die aus der Gestalttherapie kommend umfassende Konzepte von Psychotherapeutischem Verständnis entwickelten, die unter der Bezeichnung „Gestalttheoretische Psychotherapie“ und „Integrative Therapie“ wichtige Grundsteine auch für heutige Diskurse darstellen. Beide konnten am 25. März 2024 ihren 80. Geburtstag feiern, wobei die Gratulation seitens der GTA auch das Gedenken an Rainer Kästl einschließt, der ebenfalls für die Entwicklung der Gestalttheoretischen Psychotherapie Bedeutendes beigetragen hat, seinen 75. Geburtstag in 2024 aber aufgrund seines frühen Todes (2020) nicht begehen konnte. (shrink)

According to the ‘conceivability argument’ [1] it’s conceivable that a conscious human being H may have a perfect physical duplicate H* who isn’t conscious, [2] whatever is conceivable is possible, therefore [3] H* may possibly exist. This paper argues that the conceivability argument can’t help in discussion of the ‘mind–body problem’ even if [2] is allowed to be true. This is not because [1] is false, but because we don’t and can’t know enough about the nature of the physical to (...) know whether or not [1] is true. This follows from ‘the silence of physics’—the fact that physics neither does nor can tell us about the intrinsic non-structural nature of the physical, and the consequences of this fact for any adequate account of the meaning of the word ‘physical’. (shrink)

In his target paper, John Welwood tells us that we have to beware of 'spiritual bypassing -- using spiritual ideas and practices to sidestep personal, emotional -- unfinished business--, to shore up a shaky sense of self, or to belittle basic needs, feelings, and develop-mental tasks, all in the name of enlightenment'. It's arguable that there is an equal danger of 'narrative bypassing' -- using the idea of one's life as a narrative to 'sidestep personal, emotional --unfinished business--, to shore (...) up a shaky sense of self -- all in the name of' a good life. (shrink)

This chapter contains section titled: Introduction.

An engaging argument about what experimental music can tell us about being human. -/- In Experimenting the Human, G Douglas Barrett argues that experimental music speaks to the contemporary posthuman, a condition in which science and technology decenter human agency amid the uneven temporality of postwar global capitalism. Time moves forward for some during this period, while it seems to stand still or even move backward for others. Some say we’re already posthuman, while others endure the extended consequences of never (...) having been considered fully human in the first place. Experimental music reflects on this state, Barrett contends, through its interdisciplinary involvements in postwar science, technology, and art movements. -/- Rather than pursuing the human’s beyond, experimental music addresses the social and technological conditions that support such a pursuit. Barrett locates this tendency of experimentalism throughout its historical entanglements with cybernetics, and in his intimate analysis of Alvin Lucier’s neurofeedback music, Pamela Z’s BodySynth performances, Nam June Paik’s musical robotics, Pauline Oliveros’s experiments with radio astronomy, and work by Laetitia Sonami, Yasunao Tone, and Jerry Hunt. Through a unique meeting of music studies, media theory, and art history, Experimenting the Human provides fresh insights into what it means to be human. (shrink)

2011 Reprint of 1943 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition Software. "St. Thomas Aquinas" is enriched by the author's unique ability to see the world through the saint's eyes, a fresh and animated view that shows us Aquinas as no other biography has. Acclaimed as the best book ever written on Aquinas by such outstanding Thomists as Jacques Maritain, Etienne Gilson, and Anton Pegis, this brilliant biography will completely capture the reader and leave him (...) desirous of reading Aquinas' own monumental work. (shrink)

David Hitchcock, in his recent “Informal Logic and the Concept of Argument”, defends a recursive definition of ‘argument.’ I present and discuss several problems that arise for his definition. I argue that refining Hitchcock’s definition in order to resolve these problems reveals a crucial, but minimally explicated, relation that was, at best, playing an obscured role in the original definition or, at worst, completely absent from the original definition.

Njik ka Amaka: Further Discussions on the Philosophy of Integrative Humanism (A Contribution to African and Intercultural Philosophies) presents philosophy from the view point of African thought system and logic. It presents African philosophy not as a reactionary to another brand of philosophy as is popularly the case among writers of African philosophy but as an unspoken, unstated rival of the positions of other philosophical traditions, with great emphasis on the importance of intercultural philosophizing. Somehow, the work manages to be (...) eclectic in welding orientations in the spirit of intercultural philosophy and it makes no pretense that it was written primarily for the contemporary lover of wisdom. The focal point which remains unwavering throughout was the further development of integrative humanism as a theory in African philosophy. The language style of this work was carefully knitted in simplistic and in some places bombastic forms. Simplistic to appeal to all class of readers and bombastic to demonstrate the emerging orientation that one way to hit back at the domineering colonial languages would be to speak them in deconstructive manner. The Englishness or the Frenchness of those colonial languages are in this book broken; traditional meanings of words are in some places altered to reflect the African senses; some other words are reshaped in various forms to reflect what the African has in mind and what he means; idioms are reinterpreted to reflect the unabashed and highest degree of indomitable Africanness; this is because a language that would bear forth African truths if it yet remains foreign can only emerge from the ruins of the one that bore Western truths. The benchmark of the theory of integrative humanism as a vanguard for intercultural philosophy is a passage from bivalent to trivalent mode of logical interpretation wherein the intermediate position is hoisted as the necessary missing link of reality. (shrink)